AURORA KIRÁLY
  • Projects
    • Photography >
      • Architecture. Patterns. Self-Portraits, 2022
      • Stillness Studies at Villa Empain, 2022
      • History. Pain. Dust, 2022
      • Viewfinder. Diffraction, 2021
      • Viewfinder Clash, 2020-2021
      • Soft Drawings, 2021
      • Subconscious Narratives, 2021
      • Equal. Art and Feminism in Nowadays Romania, 2016
      • Reconnection, 2015-2016
      • Red Light / Green Light, 2014
      • Failed Re-enactement of Claude Cahun's Medusa, 2013
      • The Red Dress, 2001
      • Feminine Archeology, 2000
      • Kaleidoscope. Selfportrait, 1998
      • Untitled, 1997
      • Melancholia series, 1997-1999
    • Paintings >
      • Héroïnes, 2013-2021
      • Tales from a Topographic Skin, 2013
      • Claude Cahun Revisited, 2012
    • Drawings >
      • Structures, 2018
      • Viewfinder Mock-Up, 2016-ongoing
      • Viewfinder, 2014-2015
    • Textile Works >
      • How You Remember Space & Architecture (working title), 2022
      • Ideas Come & Go, 2022
      • Walking, Breathing, 2021
      • Soft Drawings _ Subconscious Narratives - Fountain, 2021
      • Soft Drawings _ Subconscious Narratives, 2020-2021
      • 50s or Soft Despair, 2020
      • ​Ee um fah um soo Foo suii too eem oo…, 2018
    • Mixed media / Objects / Installations >
      • Settings, 2018
      • News Remix, 2016-2017
      • Life-Love-Memory, 2016
      • News Convertor, 2016
      • Drifting..., 2016
      • Untitled_Mixed Diary, 2013
    • Artist Books >
      • Diary Study #1_April-June 2016
    • Research/Documentary projects >
      • WITNESSES XXI – REVISITING THE PAST project presentation, 2007-2012 >
        • Interview with Ion Grigorescu, by Magda Radu
        • Interview with Geta Brătescu, by Magda Radu
        • Interview with Peter Jacobi, by Oana Tănase
        • Interview with Constantin Flondor, by Oana Tănase
        • Interview with Gheorghe Vida, by Magda Radu
        • Interview with Ioana Vlasiu, by Magda Radu
        • Interview with Alexandra Titu, by Cristiana Radu
        • Interview with Wanda Mihuleac, by Cristiana Radu
        • Interview with Mihai Oroveanu, by Oana Tănase
        • Interview with Mircea Florian, by Raluca Nestor
        • Interview with Magda Cârneci, by Cristiana Radu
  • News / Archive
    • Paris Photo Fair with Anca Poterașu Gallery, 2022
    • Paris Photo Fair with Anca Poterașu Gallery, 2021
    • from somewhere other than myself @ Anca Poterașu Gallery, 2021
    • The Show That Never Was @ Anca Poterașu Gallery, 2021
    • Corsets Then & Now @Zina Gallery, 2020-2021
    • Xplore Festival #15 @ WASP, 2020
    • ARCO Madrid - Booth 9G02
    • Ex-East. Past and recent stories of the Romanian avant-gardes, Espace Niemeyer, Paris; 2019
    • At Different Angles @MNAC Bucharest, 2018
    • Conjectures @Anca Poterașu Spinnerei Leipzig, 2018
    • Orient / Something in Between, BOZAR, Bruxelles, 2018
    • Woman, All Too Woman @Art Museum Timișoara, 2018
    • Constructed Geometries @ Anca Poterașu Gallery, 2017
    • Ex Future @ Arcub, 2016
    • Our History about the Others @ Scena9, 2016
    • Girls with Ideas [Boys and Paintings] @ Lateral Art Space, 2016
    • Reality Check @ Calina Gallery_March 2016
    • Finalist FID Prize_March 2016
  • Press
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AT DIFFERENT ANGLES
​Curator
: Simona Vilău
Exhibition production coordinator: Suzana Dan

Co-organizer: Visual Artists Union, Romania

​
15.11.2018 – 27.01.2019
MNAC Bucharest, 2nd Floor
Artists: 2META, Dan Acostioaei, Matei Bejenaru, Răzvan Boar, Irina Botea Bucan & Jon Dean, Ciprian Ciuclea, Claudiu Cobilanschi, Ștefan Radu Crețu, Daniel Djamo, Teodor Graur, Aurora Király, Adelina Ivan, Stela Lie, Petru Lucaci, Dragoș Neagoe, Radu Pandele, Cătălin Petrișor, Marilena Preda-Sânc, Florica Prevenda, Bogdan Rață, Carmen Rasovszky, Gheorghe Rasovszky, Alexandru Rădvan, Elena Scutaru + Marcel Scutaru, Ioana Stanca, Iulia Toma, Roxana Trestioreanu, Bogdan Vlăduță, Mihai Zgondoiu
Picture
The “At Different Angles” exhibition presents a broad selection of contemporary artists from Romania, that tackle history or histories (in the sense of narratives) from different perspectives. The Angles can be associated with various opinions or certainties that a creator could have on a specific theme, in the way he or she explores the great body of collective history or the smaller traces of individual histories. 
Both ways, we consider the existence of a necessary distance between the explorer and their subject, as figured in a preliminary sketch for a perspective study.
The positions of the critical, invasive artist in this framework – to the left, to the right, up or down, close or far away from his/her object of interest or desire – are being balanced by the random, aleatory positions of sensory artists, aroused more by the content than the shape and attracted to details before the whole. The burden of dichotomy, the heritage of the opposed notions or the ambivalence of some meaning still remain a hard-to-break border between the past and the present, between what we know and what we discover.
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