AURORA KIRÁLY
  • Projects
    • Photography >
      • Architecture. Patterns. Self-Portraits, 2022
      • Stillness Studies at Villa Empain, 2022
      • History. Pain. Dust, 2022
      • Viewfinder. Diffraction, 2021
      • Viewfinder Clash, 2020-2021
      • Soft Drawings, 2021
      • Subconscious Narratives, 2021
      • Equal. Art and Feminism in Nowadays Romania, 2016
      • Reconnection, 2015-2016
      • Red Light / Green Light, 2014
      • Failed Re-enactement of Claude Cahun's Medusa, 2013
      • The Red Dress, 2001
      • Feminine Archeology, 2000
      • Kaleidoscope. Selfportrait, 1998
      • Untitled, 1997
      • Melancholia series, 1997-1999
    • Paintings >
      • Héroïnes, 2013-2021
      • Tales from a Topographic Skin, 2013
      • Claude Cahun Revisited, 2012
    • Drawings >
      • Structures, 2018
      • Viewfinder Mock-Up, 2016-ongoing
      • Viewfinder, 2014-2015
    • Textile Works >
      • How You Remember Space & Architecture (working title), 2022
      • Ideas Come & Go, 2022
      • Walking, Breathing, 2021
      • Soft Drawings _ Subconscious Narratives - Fountain, 2021
      • Soft Drawings _ Subconscious Narratives, 2020-2021
      • 50s or Soft Despair, 2020
      • ​Ee um fah um soo Foo suii too eem oo…, 2018
    • Mixed media / Objects / Installations >
      • Settings, 2018
      • News Remix, 2016-2017
      • Life-Love-Memory, 2016
      • News Convertor, 2016
      • Drifting..., 2016
      • Untitled_Mixed Diary, 2013
    • Artist Books >
      • Diary Study #1_April-June 2016
    • Research/Documentary projects >
      • WITNESSES XXI – REVISITING THE PAST project presentation, 2007-2012 >
        • Interview with Ion Grigorescu, by Magda Radu
        • Interview with Geta Brătescu, by Magda Radu
        • Interview with Peter Jacobi, by Oana Tănase
        • Interview with Constantin Flondor, by Oana Tănase
        • Interview with Gheorghe Vida, by Magda Radu
        • Interview with Ioana Vlasiu, by Magda Radu
        • Interview with Alexandra Titu, by Cristiana Radu
        • Interview with Wanda Mihuleac, by Cristiana Radu
        • Interview with Mihai Oroveanu, by Oana Tănase
        • Interview with Mircea Florian, by Raluca Nestor
        • Interview with Magda Cârneci, by Cristiana Radu
  • News / Archive
    • Paris Photo Fair with Anca Poterașu Gallery, 2022
    • Paris Photo Fair with Anca Poterașu Gallery, 2021
    • from somewhere other than myself @ Anca Poterașu Gallery, 2021
    • The Show That Never Was @ Anca Poterașu Gallery, 2021
    • Corsets Then & Now @Zina Gallery, 2020-2021
    • Xplore Festival #15 @ WASP, 2020
    • ARCO Madrid - Booth 9G02
    • Ex-East. Past and recent stories of the Romanian avant-gardes, Espace Niemeyer, Paris; 2019
    • At Different Angles @MNAC Bucharest, 2018
    • Conjectures @Anca Poterașu Spinnerei Leipzig, 2018
    • Orient / Something in Between, BOZAR, Bruxelles, 2018
    • Woman, All Too Woman @Art Museum Timișoara, 2018
    • Constructed Geometries @ Anca Poterașu Gallery, 2017
    • Ex Future @ Arcub, 2016
    • Our History about the Others @ Scena9, 2016
    • Girls with Ideas [Boys and Paintings] @ Lateral Art Space, 2016
    • Reality Check @ Calina Gallery_March 2016
    • Finalist FID Prize_March 2016
  • Press
  • Publications
  • Bio
  • Contact
​​Ee um fah um soo foo suii too eem oo…
2018
Embroidery with golden thread on home-loomed cloth, embroidery hoop

​
​"[...] Ee um fah um soo foo suii too eem oo... are in fact the lingering nonsensical words sang by a beggar on the street on which the literary character Peter Walsh walks by in Virginia Woolf's Mrs Dalloway. This sensorial memento is meant to create connections between seemingly disparate spaces and roles – linking the traditional embroidery practice to a literary passage, to the different mental triggers pertaining to both worlds. The artist uses imagery and invokes memories of her own, but focuses more on the intersections between them rather than describing a specific moment and context. This anonymization contributes to the building on larger themes connected with traditional roles of womanhood, social norms and the individual response to political and economic shifts, to the way we all build our trajectories of the self throughout the world. ​"

Cristina Stoenescu - Conjectures
text for the exhibition @ Anca Poterașu Gallery - Spinnerei Leipzig, 2018

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